Sound Engines: CFIIIS and CFX vs AiR
Yamaha YDP-146192 notes polyphony 10 voices · Yamaha CFX with VRM Lite
Casio AP-S200192 notes polyphony 19 tones · Multi-dimensional Morphing AiR
Yamaha uses its CFIIIS piano sound with damper resonance on the P-145BT (64-note polyphony, 10 voices) and its CFX concert grand with VRM Lite on the P-225 (192 notes, 24 voices, with key-off samples) and the YDP-146 (192 notes, 10 voices).
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Casio gives the CDP-S160 64-note polyphony and 10 tones. The PX-S1100 (18 tones) and AP-S200 (19 tones) use its Multi-dimensional Morphing AiR sound source with 192-note polyphony.
On the keyboards, Yamaha's NP-15 (15 voices) and PSR-E483 (860 voices) use AWM stereo sampling with 64-note polyphony. Casio's CT-S1 (61 tones, 64-note polyphony) and CT-S400 (600 tones, 48-note polyphony) use its AiX sound source.
Sound is personal. Listen through the speakers or headphones you'll actually use; engine names and voice counts describe the features, but they don't pick a winner.